AD&D Dungeon Masters Guide 1st Edition, page 80
"As has been often pointed out, AD&D is a game wherein participants create personae and operate them in the milieu created and designed, in whole or in part, by the Dungeon Master and shared by all, including the DM, in imagination and enthusiasm. The central theme of this game is the interaction of these personae, whether those of the players or those of the DM, with the milieu, including that part represented by the characters and creatures personified by the DM. This interaction results in adventures and deeds of daring. The heroic fantasy which results is a blend of the dramatic and the comic, the foolish and the brave, stirring excitement and grinding boredom. It is a game in which the continuing epic is the most meaningful portion. It becomes an entity in which at least some of the characters seem to be able to survive for an indefinite time, and characters who have shorter spans of existence are linked one to the other by blood or purpose. These personae put up with the frustrations, the setbacks, and the tragedies because they aim for and can reasonably expect to achieve adventure, challenge, wealth, glory and more. If player characters are not of the same stamp as Conan, they also appreciate that they are in effect writing their own adventures and creating their own legends, not merely reliving those of someone else's creation."
There are a few places where Gary Gygax writes passages which can be said to capture the spirit of the game. This is certainly one. I can't recall the last time I read it, if ever. Most of us who learn to game do so by word of mouth. We may have read the rulebooks at one time, but most of us go deep only later. In our quest to master the game, we re-read the books with a practiced eye. We begin developing our skill and facility with the rules, and also our understanding of what the game is truly meant to be. Can be. The above quoted portion from the DMG is not earthshattering in its revelation. I quote it more because of what it confirms by way of the scale of the game. Cleary the game is heroic, most of us know that--and this has certainly been the focus of more recent iterations of the rules. What is special here is that it also cites the other elements of the game, comedy, drama, foolishness and even boredom. And though the last line doesn't stand true in modern version of the game, it was certainly the case in 1e. But it gets better...
"Yet because the player character is all-important, he or she must always--or nearly always - have a chance, no matter how small, a chance of somehow escaping what otherwise would be inevitable destruction. Many will not be able to do so, but the escapes of those who do are what the fabric of the game is created upon. These adventures become the twicetold tales and legends of the campaign. The fame (or infamy) of certain characters gives lustre to the campaign and enjoyment to player and DM alike as the parts grow and are entwined to become a fantastic history of a never-was world where all of us would wish to live if we could."
The very risk of death is what makes a game epic. The unpredictability of escape and victory allows for epic storytelling. It also allows for pathos, humor, and drama. This unique combination of factors really only comes into its own when the game is played as much as a game as it is a storytelling engine. In this small justification of saving throws Gary encapsulates the very heart of D&D.
No comments:
Post a Comment